Why this Blog?

I hope that this blog will become a place to look after my writing ideas and that, over time, I can use it to archive all my favourite creative sites on the web. Maybe others will enjoy it too.

Wednesday, 25 December 2013

Christmas Post

It's been too long!

So, I have a beer review. Did I mention that I like drinking beers? I didn't!? Well, that must be rectified!

Here, have a beer review!


Yes, I am actually writing and posting a beer review on Christmas Day. I am that mental. But, it's been a bit of an odd one. No pressure, Him Indoors has done the duty regarding cooking, cleaning, dish-washing... basically all the crap stuff, and I've been on children watch. Which wasn't that hard. Not my forte, but not that hard (I'd've preferred cooking and cleaning if I'm honest, I love doing roasts).

Anyway, tonight I am reviewing Courage's Imperial Russian Stout. Which, if my reading serves me well, is a popular style of brew this year around where I am. I have never seen the like before and so I did ask for a selection of Christmas beer and I got it. Yay!


This comes in a tiny little bottle (275ml) and so straight away you know something about this beer is going to be different. It's also 10% ABV - apparently so it didn't freeze when exported from Britain to Murmansk back in the 1750s. Finally, it also conditions in the bottle for up to 13 years, presumably so that it could last once it arrived in Russia without having to make numerous resupply trips over wacky stormy seas (yes, thank you KLF).


I can claim no knowledge of the veracity of the historical story. However, on opening I can say that the pressure is high and so the head is vigorous and feisty. No whiff of CO2, implying that this was conditioned well and not with added gas in the bottle. The aroma is heavy and malty, with hints of chocolate and wet wood (no, really), and there is a smidge of citrus if you're looking for it, which I was. After the head has died down a little you can get close to the beer itself.

First sip is very chocolatey, reminds me of the Triple Chocolate Stout that I reviewed ages ago, but not so much that it overpowers things. Pleasant sparkle to the fizz with tones of citrus fruits, but these are mild like apples and pears rather than oranges or lemons, mostly one gets the malt and the weight of the beer. This is, I suppose, like Stout ought to be, heavy and malty and interesting. If you met this sip on the street you'd either strike up a conversation and take him home to meet the parents or else you'd quiver in fear and worry that you'd appear somehow less than human by mere comparison. Second sip is much the same, implying good staying power. You can feel the strength of that 10% ABV though, this is not a sessionable ale, but that's why it comes in dinky little bottles.

Overall, this is a heavy, winter warming beer. It's one you'd best enjoy on a cold evening, huddled round a crackling open fire keeping the frost at bay. Wrapped in winter furs, hunted yourself from the wild woods, telling tales and singing songs with good rough company. Don't shave. Don't shave anything for a few days. Don't wash except in water from beneath cracked ice. Then get that fire going, huddle, talk in low voices, laugh long and with feeling, and crack open one or two of these as you smile and joke with your companions. It will be worth it.

Tuesday, 5 November 2013

Day 5: A break later

So I didn't write anything last night. A combination of starting back at work, having a trip on today and general rattiness on my part meant that I wasn't really in the right mood to write anything other than swear words and curmudgeonly moaning and ranting. Tonight I had the pressure to let out and have managed to impose some kind of order on the sections that I've written so far, so that there isn't really a contiguous section to post here tonight.

Mostly I now have a plot, ish, with a structure that helps it all make a modicum of sense. I have two plot lines that seem to be self-sustaining and a feeling that I want to pervade them both - it can best be summed up by that Eurovision song I was referencing in an earlier post, but I have no idea how I'm going to get that whole idea working and woven into the very fabric of the story I'm trying to tell.

I'm also this-way, that-way on whether to include a male MC this year. I mean, there's a potential one that I've written in tonight along with a semi-important supporting cast member who is also male that I already had (Tremayne) but... I don't know. I'm quite keen on having most characters as females, at least, most named and important characters, because most books do the opposite and I would like mine to be different. The other reason is simply because I'd like the challenge of writing that way, in a way that most readers would not consider to be 'normal' when, in reality, it's just as 'normal' as mostly male characters in books.

Also, it's not actually fundamentally changing the plot or the story, it's just switching the gender of the characters from what most people would expect. Meh, I'm like that from time to time.

Of my bits and bats, numbering some 2,000 words this evening, 750words tell me that I am feeling mostly upset (with anxious coming a close second) and concerned mostly about money (with success a close second). This is unusual for my writing.

Total wordcount is now 9,565 words. Yay?

Sunday, 3 November 2013

A Day Off - Day 3

So it is that I keep going. I suspect that, in order to make the wordcount for the evening, I shall have to take drastic action later in the month. For now there is enough guff to keep me going and plenty that, should I choose to go anywhere with this in the future, I will have to cull. But this year I am writing to participate rather than participating to write, for all that this entails.

I took the advice to write a normal day for my protagonist but couldn't resist the usual odd twist at the end, making it perfectly normal for me (the idea of the knowledgeable stranger who knows more than they ought is something of a trope with my writing - especially if I don't know where I'm going). It's... working so far. I do not believe it is like my more recent (and slightly better than usual) efforts. However, it's there.

www.750words.com tells me that it's mainly affectionate and concerned with eating and drinking tonight, but I have little else to share. There is a swear word in this, so I guess it's NSFW but it's only one.

Saturday, 2 November 2013

Day 2: a plot?

So I'm obviously in this for the long haul now and I appear to not be writing the story that I had rather hoped I would be writing. A sheaf of marking for work has meant that the only time I've really had to think about what it is that I'm doing is as I've written the next tranche. Of course, this means I have made the word count for the day, which is nice.

On the minus side, I still don't really have an endpoint or even much of a conflict. These things tend to get more and more complicated in a desperate effort to find something on which to hang a plot. I hope that doesn't happen. I have, at least, gained one named character - Rebecca Collins. I think I may also have some idea where parts of this are going, it uses a concept I think I have already detailed on here called the 'Reality Gun'. Well, I guess we'll see.

If you really are a glutton for punishment you can read some more of this... thing after the line break.

Don't say I didn't warn you!


Friday, 1 November 2013

Again!

So, here I am again to the party(?) that is NaNoWriMo and this time everything is different. I have done no preparation, I have planned nothing and I have no real idea where I am going. Even this blog has been fallow for a very long time after moving house sort of ate my life over the summer holidays and a new job (very nice by the by) ate my time since. I actually only managed to move less than a month ago and so the last few weeks have been punctuated with unpacking boxes and attempting, rather unsuccessfully, to get my lovely new home in order.

Anyway, this abomination just spewed forth from my brain, only 1,193 words so far and it's taken about half an hour. Read, if you dare, after the page break. It's pretty awful and based loosely on the Eurovision song by Margaret Berger Feed you my love. You'll find that after the line break too.


Thursday, 22 August 2013

It's Psychological

Back in the saddle again, and not even side-saddle, but a new edit of those first paragraphs of the nano attempt from last year. I'm hoping this will help me get started again. There aren't many huge changes but I hope it's easier to read, has less run on sentences and fewer repeated words.

Analysis is intriguing and is from 750words.com as ever.


Rating: PG-13 (swearing, sexual content[?] and violence[?])

Feeling mostly Affectionate[?], and concerned mostly about Home - intriguing.

Mindset: Extrovert - Negative - Certain - Feeling

Time: The Past; Primary Sense: Hearing; Us and Them: Them

40 minutes at 24 words per minute


Sunday, 30 June 2013

The Space

I had an energy drink to help with the marking hell yesterday and then I had a business idea while out with my Boy getting chocolate on a walk whilst my Lovely took a driving lesson and the Girl to her own drama group.

Anyway, yes, I saw an empty building on the town high street, the business of people walking around, and heard the noise and the frenetic nature of the errands being run. And it got me thinking. What if you owned a business that was mostly automated doors, maybe a couple of private pods, and then simply sound-proofed them, removed signal for phones and wi-fi and charged by the minute for the use of the space? In somewhere like London, Manchester, Leeds, New York or Singapore you might get a bit of passing trade as people looked for somewhere quiet to be alone.

What would they do in there? How would you prevent abuse of the facilities? Well, CCTV, obviously, with monitoring. Wait! I thought, why CCTV? Why not a webcam to broadcast live to the internet? Then you could have a pay-per-view online. The rent for the space would cover the rent or lease on the building and the pay per view would provide a profit. Do it right and it would go viral too.

Then you could add another floor. What if you could rent beds by the hour? It may work out cheaper than a hotel in some of these locations. Add some cameras and you have a whole new area to exploit for money. By this point the beds would be pure profit as would any extra proceeds from the pay per view website. It would capitalise on our love of voyeurism and reality TV as well as play with the notions of privacy (people renting a space to be alone knowing that they are being broadcast on the internet but with no way of checking what they look like). And whilst it would probably work as a business idea I think it would be fascinating as a fiction project.

So, here I am planting the idea in my blog. I hope to start writing something to do with it soon.

If you use it for business or for fiction, let people know you got it from me, that's all I ask (though if you make money and want to send me royalties, that's nice too).

Wednesday, 19 June 2013

Rabbit in the Rain

The Old Road when it was new. Looking North.

Another section of post-apocalyptica. I don't think this is going to turn into a project just yet, I have too much on, and I've got side-tracked (as I do) by language and how it would have changed since my imagined apocalypse without making it too difficult to follow and understand. Also, trying to remember slang from places of my youth actually proved more difficult than I thought it would be. If ever I do something with these sections then I suspect I may need to revisit the setting and maybe change the Old Road to a route that crosses the Pennines and ends up somewhere in Yorkshire.

Anyway, I tried to write a proper discussion and I'm reasonably pleased with how the rhythm works even if the exact wording is a bit clunky, it is a first draft with little in the way of revision written solely to keep my hand in whilst I wait to be allowed to continue marking. Oh, and it may even help to pass the Bechdel test while not being overtly 'breaking the mould' in a way that would put people off.

The Old Road heading south when new, from the air.

As ever, analysis supplied by the brilliant www.750words.com


Rating: PG (violence[?])

Feeling mostly Affectionate, and concerned mostly about Eating and drinking - well, obviously.

Mindset: Extrovert - Positive - Uncertain - Thinking

Time: The Past; Primary Sense: Touch; Us and Them: Them

29 minutes at 38 words per minute

Monday, 17 June 2013

The Old Road

This is something that just sort of... popped out of my head. I was musing about post-apocalyptic fiction, as you do, when I thought about the fact that most of what I know about it has a male protagonist. Also, it focuses on the very male aspect of survival. One thing that I tried to write with some friends at University featured my own character, a man who was obsessed with the need to avoid relationships with others to allow him to commit the unspeakable acts that would have him starting a war in the climax. All a bit Boy's Own Adventure really.

So, with that setting firmly in mind, I though about exploring the world differently. Writing a different kind of story within what I still feel is a pretty well constructed and well-known world. Well, well-known to me at any rate.

As ever, I am the queen of self-analysis and so I thank the makers of 750words.com once more (if you write, this is like word porn):


Rating: PG (sexual content[? - I do hope not])

Feeling mostly Affectionate, and concerned mostly about Family - well, it is a mother and daughter

Mindset: Extrovert - Negative - Uncertain - Feeling

Time: The Past; Primary Sense: Sight; Us and Them: Us

22 minutes at 49 words per minute


Tuesday, 28 May 2013

Fire, wisdom and Bechdel

I confess that this entry was a hard one. It has been quite a while since I wrote anything at all, so it was always going to be odd coming back to it. Nevertheless, I return to my prehistoric story and find that I am writing something that I never planned. I wanted to write about music in the mountains and communities of itinerant men on journeys sharing skills and ideas but, instead, I found myself writing about tribes and women in nests.

Before anyone gets going, it's not about women being home-makers. At least, I hope not. It is centred on a meal though, because in my experience anything worth anything is centred on food. If I write about anything without food then that is when I am at my least realistic. It was partly inspired by reading some posts and blogs about women in history and how they tend to get ignored. How our perceptions of the modern era seem to inform what we consider to be realistic and authentic in SF and Fantasy novels.

I was also struck by Bechdel and that thing about women who talk together and don't talk about men. I have failed in that regard because the child of the piece makes reference to the male of the story in her petulance. This vaguely upsets me. However, I have, apparently, found a way around the female nomenclature - we have Falcon and Leaf on the Breeze as names. I dunno, they kinda work but I'm still not completely satisfied, they don't break the mould as much as I would like given my Moon Dancer and Shadow of the Stag names that came out of nowhere and instantly seemed to fit.

So, to the analysis provided by 750words.com as usual:


Rating: PG (violence[?])

Feeling mostlyself-expressive, and concerned mostly about food and drink - figures, given the setting

Mindset: Extrovert - Positive - Uncertain - Thinking

Time: The Past; Primary Sense: Touch; Us and Them: Them

34 minutes at 43 words per minute


Saturday, 20 April 2013

So NSFW it's untrue

I recommend that you don't read this at all if you are in a place that would track your internet usage. I haven't written for a while, work stuff, and I wanted to get back into the swing of things. I also wanted to get back to St Avril and, obviously, that didn't happen. Since when do I write what I actually set out to write? Instead I ended up thinking of the Prehistoric setting and trying again to get into the head of my female protagonist. I think I have Moon Dancer now and I think I know how he works and what I would like to do with his part of the story, at least insofar as I understand what the story is.

No, with the females I am less convinced. So... I wrote my very first sex scene. Well, no, not quite. I wrote one at the age of 16, when on exchange in Germany, and as angsty teen it was was unrealistic and ended in a murder. The woman kills the man, just because. I never did work out why, it was brutal and angsty and... well, I was a teen. Anyway, it turns out to be really difficult to write feelings in sex in actual words. I did my best.

Rating: R (sexual content, violence[?] and swearing[?]) The first I get, the rest I don't.

Feeling mostly upset(?) in a dead heat with happy, and concerned mostly about religion

Mindset: Extrovert - Positive - Uncertain - Thinking

Time: The Past; Primary Sense: Touch; Us and Them: Them

37 minutes at 44 words per minute


Saturday, 13 April 2013

Group Dynamic


Well, despite having some big discussions with some friends in real life concerning the non-existence of left and right in aboriginal tribes; the harmonics of circular breathing when playing the saxophone and Turkish having two past tenses for events seen by oneself and events that were not, I ended up writing the next section of St Avril.

In my original story there was a single protagonist. However, one of the main issues that story always had was the boredom in the beginning despite the threat. For reasons that will become patently obvious, the threat could never be too close, and so a sense of urgency was lost. The mystery was not enough to carry the early scenes on its own either. Also, I once ran the story as a form of role playing game with some friends, who theoretically gave me more characters to play with. In the spirit of using my writing time to play with things a little more I decided to expand the character list for this piece and came up with this. It follows on from this post.

I have no idea if I have managed to maintain that post's strength of voice.

Analysis courtesy of 750words.com.

Rating: PG (sexual content) - well, probably yes.

Feeling mostly upset and concerned mostly about success - interesting.

Mindset: Extrovert - Negative - Uncertain - Thinking (but only just in each case, apart from thinking)

Time: The Past; Primary Sense: Touch (no option for smell then); Us and Them: Them

41 minutes (39 actually typing) at 39 words per minute


Thursday, 11 April 2013

First Draft: An Attack

I was feeling a bit dry tonight for my nightly attempt to write. So, I started up some Shamen and East 17 (yes, so sue me) and tried to write what came to me. The strange wolf-suited people came back and... well, let's just say that this is probably my worst writing yet on this project. I think I have a handle on the relationship between my female protagonist and her companion better now, but trying to avoid cliche and the modern trappings of gender roles was... more difficult than I thought.

Really struggling with names too. I don't want 'feminine' names per se but I also want to stress the differences in roles within the group. We know that my males have a coming of age where they choose a new name, what about females? I suspect that 'first blood' would be the coming of age... I think I need to write one of those and see what happens actually...

It's been relatively easy to write a more sensitive male character - I just go through ideals - but writing female characters that have agency in the midst of an attack is hard without making the female characters fit tropes for male characters. The little I've read of the Girl with the Dragon Tattoo has warned me off that as a means of writing 'real' females. Equally, in avoiding fighting and showing awe and fear at the command of fire in this scene, it seemed as though I was writing women that needed saving - which was not the point.

Why is this so hard?

Analysis courtesy of 750words.com - who probably deserve a bit of money from me by now...

Rating: PG - violence (check)

Feeling mostly upset, with anxious following, and concerned mostly about relationships

Mindset: Introvert - Negative - Uncertain - Thinking
I think if the last one had been Feeling I would have nailed this

Time: The Past; Primary Sense: Hearing; Us and Them: Them

29 minutes at 37 words per minute.

Wednesday, 10 April 2013

Secrets that men keep

Tonight I fill in a section. I realised today that Moon Dancer doesn't eat or drink on his quest for about four days. Okay, that's fine, I guess, but there's no way he can't drink in that time. He'd be mad with thirst, something I haven't even mentioned. Okay, the lack of hunger is fine, I guess, but the lack of thirst? Unforgivable!

So, tonight I thought to simply edit that section a little and then move onto new stuff. Instead we have an additional discussion in which I learned more about how males operate in this society I am creating. Also, a little about how the sexes are viewed by men, I hope that came out right. Anyway, another conversation that I hope retains enough of the poetry of previous entries to stand with them.

Analysis from 750words.com as always:

Rating: PG (sexual content) - not sure where that is. I guess one of them is naked?

Feeling mostly self expressive and concerned mostly with religion

Mindset: Introvert - Positive - Uncertain - Thinking (very male?)

Time: the Future; Primary Sense: Sight (damn); Us and Them: You

22 minutes at 36 words per minute


Tuesday, 9 April 2013

Shadow of the Stag

So, apparently I am attacked once again by the Prehistoric thing. And tonight I was shown how a boy becomes a man. I was also shown a little bit of the nomenclature that I had been so missing. Up until tonight I had no concept of the naming of people. I now have some knowledge of naming and how it is going to go, some idea of how the society works and, apparently, two ways in which the males of this setting can be aligned. It follows on from this post.

There is a poetry in this section, I hope, certainly I felt it as I wrote. I was writing mainly to the tune of Victoria Lucas by Moby, and that may show through too. For at work today I had a moment alone with no one else around and I danced in a way that I haven't for a good few years. It felt good to dance. It felt good and probably looked terrible. But it felt good. That may have influenced what I wrote tonight.

Analysis, as ever, from 750words.com who are brilliant. If sometimes a little strange in their analysis.

Rating: PG-13 for swearing, sexual content and violence (I'm going to go ahead and say here that I see none of that in what I wrote).

Feeling mostly self expressive (with upset as a side-order) and concerned mostly with religion (with leisure as a side order)

Mindset: Extrovert - Positive - Certain - Thinking

Time: The Past; Primary Sense: Hearing; Us and Them: You (with a side order of them)

36 minutes at 43 words per minute.

Monday, 8 April 2013

St Avril: A Sci Fi interlude?

Well, for one reason or another, the Prehistoric stuff isn't flowing and, instead, I was set upon by a rewriting of an introduction to a sci-fi story I once wrote. Back in 2001 I had a very vivid dream about a psychic who wakes up without knowledge of what is going on. Of course, I wrote it down and reworked it over the next six years into a finished novella-style piece about 45k words in length. And there it has lain ever since.

Tonight, the opening attacked me in first person. So I wrote it.

Analysis courtesy of 750words.com, please support what they do, because it is awesome.

Rating: PG-13 for sexual content (bu-wha?) and violence (again, bu-wha?)

Feeling mostly upset (apparently) and concerned mostly with money (huh?) or eating and drinking(?)

Mindset: Introvert - Positive - Certain - Thinking

Time: The Past; Primary Sense: Hearing (hmm); Us and Them: Them (surprising, it's in first person)

27 minutes at 54 words per minute

Sunday, 7 April 2013

Giving Birth

This is probably the closest I can ever come to articulating birth in a way that actually makes any sense and draws on the experience of a home birth with the Boy. It is not perfect, one of the greatest issues I had with this little exercise was just how much of birth is communicated through sound effects and feelings that have no words. It really showed the limitations of modern English in describing such an experience. Sadly I lack the knowledge to know if this is different in other linguistic traditions or if older languages were better at it, but it did bring home the problems that I am going to have with a Prehistoric setting.

Namely, the idea that I am trying to put across here is a society that is very alien to our own. There are aspects of that society that I confess I feel are superior to our own and there are aspects that I feel are not. I want it to be a balanced experience for the reader. It is not a preachy thing that I wish to create but something sufficiently different that it becomes curious.

In many ways it has commonalities with the work that I did creating Socialist Britain for Regarding Bakunin in that I want to present a generally positive alternative without it being so uselessly utopian that it can be dismissed. I want to create a realistic world where I am not blinded by my own bias and prejudices but, instead, am free to explore those differences and those positives that I feel are there in a way that other people can make their own mind up. I am fully prepared, for example, in good science fiction to take a positive and paint it negative or vice versa - as it should be - and I want readers to feel the same way with my work. I should not be telling them what to think, merely providing the scenes and the story so that they can decide for themselves.

Analysis courtesy of 750words.com - if you are a writer and not using this site then what are you doing?

Rating: PG-13 for sexual content (maybe) and violence (no, really not seeing this)

Feeling mostly happy (a first) and concerned mostly with eating and drinking (ah ha ha)

Mindset: Extrovert - Positive (75%+) - Certain - Feeling (50%+)

Time: Past (60%) and future (30%); Primary Sense: Touch; Us and Them: Them

36 minutes at 33 words per minute.

I still have no idea how I'm going to name these people or what to do with the dialogue. You'll see what I mean if you read on!

Friday, 5 April 2013

Prehistoric: Stalked

Another night another dream but always this. He is stalked. Still no names, still no plot.

Analysis:

Feeling mostly affectionate and concerned mostly with eating and drinking

Mindset: Introvert - Negative - Uncertain - Thinking

Time: The Past; Primary Sense: Touch; Us and Them: Them

29 minutes at 54 words per minute

Monday, 1 April 2013

Prehistoric: Coming of Age

It appears as though this particular vein is continuing. Tonight I write a scene in which something actually happens. My main character is coming of age.

No, I don't know how it relates to the previous two sections yet, only that I need to know how this all works. It's not finished, he's just about to start his quest but I don't want to force it. The style of this work and the way it's moving are completely, I think, different to my normal style. They may even be different to what I did for NaNo.

Anyway, again the analysis (thank you 750words.com):

Rating: PG-13 (sexual content and swearing[!]) - really not sure where there is swearing.

Feeling mostly affectionate and concerned mostly with religion

Mindset: Extrovert - Positive - Certain - Thinking

Time Orientation: the Past (with a dash of the future)
Primary Sense: Touch
Us and Them: Them (well, it is third person)

42 minutes (37 actually typing) at 38 words per minute


Sunday, 31 March 2013

Prehistoric stuff part 2


I still don't have a title for any of this, much less an idea where it is going. I think that someone has to die and then we have a murder mystery style plot going on, but I really have no idea. Also, I don't really want him to be the main character if I can help it. Him going off and doing a murder mystery plot would be... well, a bit patriarchal, no?

Again some stats for you, courtesy of 750words.com:

Rating: PG-13 - sexual content and violence (still not seeing the violence)

Feeling mostly affectionate and concerned mostly about religion (but only just)

Mindset: Extrovert - Positive - Certain - Feeling

Time: Past; Primary Sense: Touch; Us and them: Them

Saturday, 30 March 2013

Prehistoric Detective Novel?

I have long toyed with the idea of setting a story in Prehistory, but I am no Jean Auel and I have never even read the series. Equally, my knowledge of Prehistory is small and slim. That doesn't diminish my urge to do it, just make it harder as I lack the time to research and the inclination to really go for it. As I haven't touched my NaNo project since February (and then didn't really do much of use having left it since December) I figured I'd try something that had nothing attached to it.

What follows, then, is a quick exercise to try and get going. Before I share it I shall place the analysis (courtesy of 750words.com, where you should also be going) and then a line break so that it doesn't clutter up the blog any.

Rating: PG-13 for sexual content and violence (not sure about violence)

Feeling mostly affectionate and concerned mostly about religion

Mindset: Extrovert (75%) - Positive - Certain - Thinking

Time Orientation: the Past; Primary Sense: Touch; Us and Them: Them

Time: 28 minutes at 46 words per minute


Tuesday, 19 February 2013

Fade to Grey

Back to form this evening. Something I knocked up... ooh, must be back in 2005. However, it has the potential to go somewhere at some point if I ever want to write sci-fi action. Thus, I plant it here:


There were about five of them in the coffee shop: all quite clearly ready for business. A female holding a cup of double espresso sat by the entrance to the establishment, to stop me bolting I supposed, and there was a thick-set man by the bar nursing a muffin. The others were slightly less obvious, though it was always difficult to disguise the raw power they had brought with them and commanded at their fingertips. In truth I was quite honoured by all of the attention I was getting, it meant that they considered me at least noteworthy to send out the Interdiction like this.

I stood, mopping my hands with a napkin though there was really no need, and sauntered toward the toilets at the back of the building. They knew as well as I did that there would be a window in one of the stalls, but my game plan rested on the fact that they would not realise I had spotted every single one of them already. I did not have to wait long and no sooner was I safely obscured from view than I felt the breathing on my neck and stopped.

“I wouldn't, if I were you.”

It was the man I had seen near the back corner, keeping his eye on the whole proceedings, this was probably the field commander, his voice carried with it a tone that was used to being obeyed. Everybody had to learn sometime.

“You’re wrong, you know,” I protested as loudly as I could manage without drawing undue attention, “I’m not the one you’re looking for.”

“Heard it all before, the next thing you’ll be claiming is that we’ve made a mistake and how this must all be the result of a misunderstanding.”

He was right of course, and the reason was quite simple. They had made a terrible mistake and there had been a misunderstanding. Something told me that my explanation would neither be welcomed nor even consciously noted, the truth was simply not enough in this case. “Fine.”

“Do we have to read you your rights or will you save us that little pandering?”

“To be honest I’m just flattered there’s so many of you. Five? Plus one in the toilets? I am truly flattered it would take five heavily armed members of the Interdiction to bring down what you consider to be a simple thief.” Reasoning with them had broken down before it had properly begun.

A jolt in my back, I had the man rattled at least. “Your type are always flattered by the strangest things. Still, if that’s the way you want it then I must inform you of your rights under section 4 paragraph 7a of the Codex. You have a right-”

Despite the rough way in which I was being handled and my lack of sympathy at the best of times with those who would employ brute force where subtlety would be better suited to the situation I felt that it was only fair I offered them a warning, a chance to back off and leave me be this time. “If you must persist in this mockery of official business then I am afraid that I shall be forced to retaliate to protect myself and my interests. I hereby serve you fair warning that failure to let me be to continue my interests will result in my no longer being responsible for my actions.”

At first he started and I could imagine him shaking his head. This was clearly not what his combat oriented brain had told him would come next. I suppose I could understand that, they had the advantage of numbers, power and weaponry, there was little that I could do. Added to that, they would have read my profile before and would have been aware that I was unlikely to use force to resolve issues. In the event he began to laugh softly. He was a fool, a weapon jockey sent on an errand for someone else who was unwilling or unable to get their own hands dirty, I had expected no better. “As I was saying, you have a right to-”

Now I confess that my dander was up and that I was angry, to have a fair warning laughed at after all that I had been through was a little too much. Without warning I found myself growling and moving at speed. This took the commander behind me by surprise and he moved far too slowly to block the fist that suddenly appeared in his vision.

I connected. Blood sprayed from the impact, a square blow to the nose. A second blow caught him in the stomach, neatly crushing a kidney and dropping him to the floor. I did not have long now. The toilets were simply not an option.

One of them was moving, people were beginning to realise that something was going on. A staff member was moving to the telephone, no doubt to call in the pitiful excuses for law enforcement officials they had here. I grabbed the top of a table and up-ended it, stopping an attack from one of them to my side. The rest were fumbling to pull weapons.

The woman was close by now, launching herself into a two footed kick designed to take me unawares, the speed was incredible but time slowed as I turned and calmly took hold of her shins. That done I spun as if throwing a hammer and sent her head first into the cooling unit above the counter. Pandemonium had broken loose and at least one of the Interdiction had pulled a gun. They were shouting something but with the roaring in my ears from the effort I could not make out what they were saying. It didn’t matter, a shout in their direction burst their eardrums and prevented them being a factor any more.

Two more between me and the door, though the plate glass windows had shattered due to the shout so how I left was entirely up to preference. Most of the customers were cowering on the floor, a few were crawling toward the exit, who could blame them?

The first gunshots were wide, they were learning, and moved with agonising slowness to aim themselves at my head. Wood splintered and plastic shattered as the projectiles cut their way through the air. Shockwaves pulsed and fire spat from the muzzle, singing some of the fittings closest to the shooter. I threw myself backward and fired a plate in their direction. Pottery smashing and the firing stopped. Direct hit.

I rolled and stood quickly, projectiles impacting where I was a moment before as I made a dash to the door. My peripheral vision registered the final member of the team emerging from the corridor to the toilets, the commander was gradually regaining his composure and no doubt cursing the fact that he had come in too close and without immediate back up. Like I said, weapon jockeys.

It was all too late.

Friday, 18 January 2013

Mood Music

One thing I find very helpful when writing, and I'm sure I've mentioned it before, is music. Maybe it's just the way my mind works but I find it easier to immerse myself in something when I have a soundtrack. It's the same in films, but mainly effective when I get to set the tracks to events in books. It's why Iron Sky was somewhat jarring in places (and why I still haven't bought the otherwise excellent soundtrack) and why I enjoyed Fifth Element so much (and did buy the soundtrack, on a whim).

To this end I have two such soundtracks to share with you.

I think I've already said that my latest bout of contiguous writing, Nothing to Fear, was written to the Pet Shop Boys, for the most part, and structured around the track listing of their Fundamental album. That was because the album was very good for creating a particular kind of political narrative suffused with various love stories, all of them vaguely bittersweet, and that was a good background for what I wanted to do. I got as far as track 4 in terms of plot, partly due to the extended nature of the war that started, and found myself bringing in extra tracks to help various scenes and ideas.

However, these were not writing tracks. They were very specific and helped me do a job. Free writing, the kind I don't have much time for these days, is best done to proper immersive music. I have +Nina Mideast Journal, who is lovely, to thank for introducing me to Wait for her, a poem set to music, that fits the bill for what I'm talking about. But she also recently reminded me of the wonderful Ludovico Einaudi whose Una Mattina and Divenire are just divine and work so well to help the flow of words onto the page.


So, the first soundtrack to share is Divenire, which is just beautiful, and always gives me images that are similarly stunning and uplifting. Except maybe Ascolta, which is just raw emotion and sadness - I still love it of course, but it is a different scene that stems from the playing of the emotions.



Musicals are another good thing to write to for me, because they have to do so much with the voice to express emotion with the lyrics. They are actors, yes, but they are forced to rely on the song to get across their thoughts and must show as well as narrate. This means that the combination of instrument and voice can really crank up the emotions if done well - a double act by singer and composer from the beginning. Even brilliant musicals can be botched and awful lyrics saved by the cast.

My second soundtrack is Closer to Heaven by, you guessed it, the Pet Shop Boys. At the moment the stand out tracks are Closer to Heaven (reprise I) and Positive Role Model, neither of which appear to be on youtube and therefore I can't share them directly. But I do urge you, dear visitor, to seek them out and listen. While the gay love story is not to everyone's taste it is a love story. I'm not gay but I can recognise the power of the lyrics and the emotions contained within them well enough - that crosses boundaries in a way that sometimes I can't quite get. For instance, I love Chess the musical but I can never quite buy the love triangle between Florence, the Russian and Svetlana - they sing well, with emotion, but I never 'get' the love. They are, of course, straight, so I should recognise it from my own life experience. But it is nowhere near as powerful as the love in Closer to Heaven.


I think I may have strayed on a tangent here...

Wednesday, 9 January 2013

Opening words and centenaries

I've been reading a lot about how to start novels lately, it's a habit of mine, and how to introduce characters quickly and in such a way as to draw in the reader. And, I'm sorry to say, much of what I read is uninspiring. I don't mean to say that this should not be the aim of authors or that anyone who writes should not emulate those that are successful, but I worry that there has been a dumbing down of what we mean by this.

Swiftly put: I'm not at all convinced that some of the examples I've been reading do any of the jobs that people who quote them say they do. None of the 'great' openings by mainstream authors that I have read seem to do it terribly well, in fact, they instead seem to plumb for the long opening that leaves it until, say, the third or fourth page to draw the reader in. What do I mean? I mean authors that are famous enough to trade on their name tend to skimp on this art, because it's bloody hard to do, and these authors are the ones that get used by newbie writers and wannabe authors to explain what they mean. It does both sides something of a disservice.

My other thought, for my time is tight, is that the First World War nears a centenary and this will mean a sudden influx of books, films and plays about that area of history. My own novel may well be badly timed in this regard as there will be bigger names making plays at publishing for the next five years and many many unpublished authors also trying to get noticed with 'novel' takes on the First World War novel. Given that's what my own novel has become I'm not certain that it would get noticed at all.