This is probably the closest I can ever come to articulating birth in a way that actually makes any sense and draws on the experience of a home birth with the Boy. It is not perfect, one of the greatest issues I had with this little exercise was just how much of birth is communicated through sound effects and feelings that have no words. It really showed the limitations of modern English in describing such an experience. Sadly I lack the knowledge to know if this is different in other linguistic traditions or if older languages were better at it, but it did bring home the problems that I am going to have with a Prehistoric setting.
Namely, the idea that I am trying to put across here is a society that is very alien to our own. There are aspects of that society that I confess I feel are superior to our own and there are aspects that I feel are not. I want it to be a balanced experience for the reader. It is not a preachy thing that I wish to create but something sufficiently different that it becomes curious.
In many ways it has commonalities with the work that I did creating Socialist Britain for Regarding Bakunin in that I want to present a generally positive alternative without it being so uselessly utopian that it can be dismissed. I want to create a realistic world where I am not blinded by my own bias and prejudices but, instead, am free to explore those differences and those positives that I feel are there in a way that other people can make their own mind up. I am fully prepared, for example, in good science fiction to take a positive and paint it negative or vice versa - as it should be - and I want readers to feel the same way with my work. I should not be telling them what to think, merely providing the scenes and the story so that they can decide for themselves.
Analysis courtesy of 750words.com - if you are a writer and not using this site then what are you doing?
Rating: PG-13 for sexual content (maybe) and violence (no, really not seeing this)
Feeling mostly happy (a first) and concerned mostly with eating and drinking (ah ha ha)
Mindset: Extrovert - Positive (75%+) - Certain - Feeling (50%+)
Time: Past (60%) and future (30%); Primary Sense: Touch; Us and Them: Them
36 minutes at 33 words per minute.
I still have no idea how I'm going to name these people or what to do with the dialogue. You'll see what I mean if you read on!
Pages
Why this Blog?
I hope that this blog will become a place to look after my writing ideas and that, over time, I can use it to archive all my favourite creative sites on the web. Maybe others will enjoy it too.
Showing posts with label touching?. Show all posts
Showing posts with label touching?. Show all posts
Sunday, 7 April 2013
Giving Birth
Labels:
analysis,
experimental,
extract,
ongoing,
Prehistoric,
touching?
Sunday, 25 November 2012
Love scene with a difference
You need to play the song as you read this. I hope I've captured it. Eventually I want all the stuff in <..> to be in proper French. I want the reader to feel as out of place as does William in this. However, I don't know any French. This took a few hours. I wanted to get it right. I didn't want to rush it and I didn't want it to be anything other than realistic. I fear that it is not. I fear that it is very much a scene with cardboard cut-outs rather than real people.
“So.” Batemann had been the first to
leave the table, ably supported by Claudette, and it had been very obvious what
they were going to do. There had been giggling and squeaking from the room
since they left ever since. Then Pablo had simply nodded to the elder woman and
they had left together in silence, descending the stairs. Whatever they were up
to made little noise that could be heard in the upstairs kitchen but the
embarrassed smile of Eponine told William that it would be little different to
the activities ongoing in the nearby bedroom. “I don’t speak any Aixlenean.”
“<Have you eaten enough too?>”
William stared for a moment at the girl’s
hopeful face. “I don’t know what Pablo was saying either. But I have eaten
rather well.” He reached over to his jacket and dislodged the letter that Pablo
had given him. Both of them watched it fall, it landed close to Eponine’s foot.
“<Your letter, sir, I…>” Picking it
up from the floor, with William’s steadfast gaze fixed on her, she paused and
then, with a quick look at his face, she opened it. “<I can read Merkavian a
little, sir. With your permission…?>”
Failing to snatch it back, and catching
her hopeful tone, William shrugged and sat back heavily. “It’s not like you can
understand a word of it. I’d sooner you were doing something like that rather
than… well, whatever else we’re supposed to get up to.” As she bent her head to
look at it more closely, William shifted uncomfortably and looked anywhere but
at her, as if by not seeing her do the deed he could ignore the breaking of
Pablo’s trust.
Something about delivering food for a
night of sex seemed rather tawdry and not a little unfair. Unbidden, he
remembered his mother and sisters, and shuddered at the thought of any of them
being so hungry and alone that they would agree to such an exchange. Whatever
romance there had been vanished from the room and he just felt cold and wet and
tired, huddled in a towel with illicit food roiling in his stomach. Battles had
been fought with less concern and worry. She was still studying the letter, who
knew what she was scrying, and he watched her expression grow shocked, a hand
over her mouth, and then enormously sad. Most likely she had read into the
unfamiliar language whatever she wanted to find, whatever would make the
situation most palatable.
Presently she looked at him again with
concern in her eyes and the look of something else that William couldn’t quite
place. She put the folded letter carefully back on the table and, without
meeting her eyes, William snatched it back. Too late, he knew, but simply
leaving it there seemed worse than doing nothing.
Throughout the night he had caught her
looking at him, as a young girl would look at passing soldiers, with a mix of
wonder and awe; so that, he felt, if he so much as bared his teeth she would
either laugh at the gaiety or else take fright and fall dead on the spot. Now
that look of awe had changed but he would be hard-pressed to offer any guesses
as to what it had become.
“<You have known loss on all
sides.>” She spoke very slowly, enunciating clearly, trying desperately to
make him understand something, “<I think that you are different from the
others. I think that, if there was no war and we had met I would like to get to
know you better. And now, sir, I do not know what to do next for you. For we
shall not meet again, however much I wish it.>”
Her hand grasped his and held it, softly
and warmly, while she fixed him with her eyes. William did not know how to
respond, nor could he understand what was being said, but it sounded important
enough to keep listening.
“<I… Should I undress? Would that make
it easier for you, Willy?>”
The way she said his name alerted him to
something else going on, he still couldn’t place it, but he found himself
responding physically. This was like nothing he had ever felt, even with Jerry,
and his heart began to race with the prospect of the unknown and dangerous. It
reminded him of the moments before being called to attack in the trenches but
without the certainty of leaving things to fate and trusting in his own place
in things; this was worse. “Call me William.”
“<Will-yam,>” repeated Eponine with
a giggle, “<It is better than Willy, Will-yam,>” standing, but not
letting go of his hand, she pointed to a room at the opposite end of the room
in which they had been eating, “<Shall we?>”
Wordlessly, he stood and followed after
her, something had occurred and he wasn’t sure what it was but the beating of
his heart propelled him forward. As she stepped across the threshold she turned
to face him and took both of his hands. Awkwardly he took them, letting the
towel fall from his shoulders. His mouth was dry and he could feel the cold
sweat beginning, everything in him was screaming to flee but, at the same time,
he was simply transfixed. “How… How old are you?” he tried, “Age? Years?”
A frown before realisation dawned on a
face now lit only by the dim moon through the window. He had to admit that it
was a lovely face. “<Twenty-nine,>” she answered, then, seeing that he
had no idea what she had just said, held up both hands with fingers
outstretched twice, then just one hand. She smiled. “Et tu?”
Jerkily, and keenly aware that he was
only wearing his underwear, William signalled that he was thirty. “Twenty-three,”
he added, as if by adding it he could shrug off the obvious lie. It was not her
face or body that had him drawing breath though, but whatever it was remained
tantalisingly out of reach, like the one thing that one forgets to check before
going into battle.
Slowly, she backed away, her face
flushing and her movements more spasmodic than seductive. She was trying too
hard to impress him, part of him supplied, she was trying to move like he had
seen far more practiced women doing in the dingier parts of Alnwix on the way
to the show. Whereas they had been slinky and even quite adept she was
uncomfortable and very much out of her depth. All at once she caught sight of
his expression, “<This does not excite you?>” There was no mistaking the
twin themes of disappointment and relief in her voice.
“Just…” Breathe, you idiot, breathe, “Just stop. Eponine. I… Eponine.”
Moonlight filled the space between them,
there was a bed in the corner, everything seemed black and white now that the
door was closed. In the distance there was the rumble of the war as far away
from them as was the moon herself. If anything, space seemed nearer, blazing
with starlight and pregnant with promise. And he found it difficult to breathe.
“Will-yam?”
Moving to the bed, but keeping his
distance, he sat down heavily. “Eponine.”
“<You seem… delicate,>” she chose
her words carefully, but kept undressing: functionally rather than trying to
make anything of it at all. “<A flower, no?>” She smiled sympathetically
at him. Stood in her underwear by the window she did look beautiful. Forbidden.
Out of reach. “<I think…>”
She was delicate, but strong, like a rose
growing on a garden wall turned to the sun. The white rose that grew in the
father’s flowerbeds, tough and wiry, flowers delicate like spider web but with
thorns that would cut and tear flesh. There would be no rough treatment of this
woman and no arguing with her if she got an idea in her head. He needed to say
something. “Thank you,” and he meant it, “I have known few who would do for me
what you have done. But it is not needed,” he shook his head, “It is not
needed.”
“C’est
la guerre?” As she sat down next to him he fought the urge to jump away, it
would not have been polite, she caught his expression. “C’est la guerre.”
A wan smile met her remark, William had
heard similar sentiments in Aixlenean before, enough to know what they meant. A
nod. “It is hard.” There was nothing else to be said.
Her arm snaked round his shoulders and he
did not mind, merely closed his eyes and let her do it as her free hand took is
chin and rubbed along its smooth surface. For once he was glad that he shaved
every day. “<You would look better in a dress, my friend, you were not born
for war.>”
Grunted assent. He would have agreed with
anything at that moment.
Looking at him, she seemed to grow in
confidence, and he returned her look as best he could, lost in the feelings
that ambushed him and beat him down with the flat of their spades. No shots were
fired, no artillery barrage was required, he surrendered freely to a superior
foe without ever knowing quite why he was doing so. Fate decreed that he do so
and he had yet to argue with fate.
Pecking him on the cheek tenderly, she
placed a finger over his lips and drew back, a smile greeting his confusion.
She stood, placing the same finger on her own lips to cover the playfulness
there, and walked back to where she had undressed, looking at him all the while
as an artist would at a subject to be painted. There was a confidence in her
that she had previously lacked, it oozed from her, and he could feel his own
response to that awareness, to that aura of assuredness.
“Mon
petite fleur,” her whisper was so low he had to strain his ears to hear her
properly, “<My beautiful, delicate, little flower.>” She picked up her
dress deliberately, let it fall from her hands whilst holding the shoulders and
fussed with it until it fell straight and clean. “<Would you wear this for
me?>”
Unable to understand her words, but
following that something had been asked of him, something pure and deep that
could not be denied, William nodded dumbly. He was rewarded with a broad
shining of the sun from her face, bringing colour back to her body that was
robbed by the silvery light from the window in his mind’s eye if not in
reality.
She walked back to him deliberately, one
foot in front of the other placed with precision and care on the wooden
floorboards, not a sound seemed to be made. She bade him stand with her eyes,
and he did so, then rolled the dress and indicated that he should raise his
arms. Now William was simply unable to speak, unable to discern how it was he
knew her instructions, unable to register anything beyond the room or Eponine.
It didn’t exist.
Material at his fingertips. Passing. A
breeze across all of him and the skirts fell about the floor. It shouldn’t have
fit, but Eponine was already working at ties and buttons so that it seemed to
expand to take him in, falling easily to the floor. Unbidden, his arms returned
to his side as she walked behind him and pulled at various laces and clasps. He
felt the bodice tighten around his chest and waist, hugging him tightly in a
way that made him feel more relaxed and safe than he could remember feeling
before.
He was home.
This was right.
Darkness was ending in light. Movement
below.
Stillness behind, Eponine had finished
her work. He felt, rather than saw or heard, her move back to inspect her
handiwork. She said something, he did not catch anything, but twirled to face
her, causing the skirts and petticoats of the dress to flare up and brush
against his legs. An electric feeling.
Instinctively he looked down as he faced
her, hands catching the flare of the dress and holding it from the floor. His
mouth opened but no words came out.
“<The flower is opened. You are
beautiful.>” Her hands were clasped in front of her and her smile was as a
mother to a child. “Mon petite fleur.”
A short, but only semi-mirthful, laugh. “Fleur,
oui, <it is better than Will-yam,> Fleur <it is>.”
“William,” he corrected her
instinctively.
She shushed him with a finger again, “Non,” she said, playfully but firmly, “Tu,” she pointed at him, “Fleur, oui?”
Pointing to himself, “Fleur?”
Nodding, “Oui, Fleur.”
He tried to shrug, but his body would not
obey, instead he simply bent his knees and lifted the dress a little with his
hands, that had re-clasped the dress. “Fleur.”
“Tres
bien,” she clapped softly, without making any noise, “<Now, repeat after
me:> je suis Fleur.”
“Zhe swee Fleur.”
“Bon!”
She took one of his hands and kissed the back of it, “Je suis Eponine. Enchante. Je suis, por tu, madame. Oui? Madame.”
“Oui,
madame.”
And that was when the screaming started.
Labels:
2012,
extract,
nanowrimo,
Nothing to Fear,
touching?
Subscribe to:
Posts (Atom)