Why this Blog?

I hope that this blog will become a place to look after my writing ideas and that, over time, I can use it to archive all my favourite creative sites on the web. Maybe others will enjoy it too.

Wednesday, 1 November 2023

Attempting a Rewrite

When I was 12 there was an after-school writing club that got to use these laptops with a display that showed a whole two lines at the top of a keyboard. Enamoured, I wrote a story that I enjoyed, printed it off and decided that it was a bit... private. So I never showed anyone and hid it in my wardrobe. At some point between then and going to University the story was lost. Naturally, this year, I resurrected it and am attempting to rewrite it.

Here's the first foray.


       Something was definitely not right: in fact I would go so far as to suggest that the feeling suggests something was, in fact, very wrong. Much as a logical inconsistency throws me out of a dream no matter how asleep so it is that I was aware enough of something having changed that I wake and take a quick stock. Before my eyes are open I know this is unfamiliar, I can feel my heartrate quickening, my breathing is shallower, faster, standard feelings of fight or flight are swinging into motion – but that’s the rub. It feels off, wrong, false, unfamiliar. The air sucking in through my open mouth is moving differently, the sound of it is higher; my heart beats differently, maybe faster and harder but dulled somehow, as though from far away. Before my hands are moving I know they are wrong.

       Eyes open, take in the light from the wrong direction: right time of day, morning, but it comes from my right rather than my left. The sound of my nails against the bedclothes different, sensations implying… what? Hair on my face, over my forehead, catches my eyelash – alarm bells ringing in the distance in my mind – and my legs feel… “What?” Not as loud as I want, groggy, and that’s not my voice, it’s not what I sound like.

       “Honey?” There’s a knock on a door nearby, the voice is muffled and male. Older, concerned but hurried. “It’s time to get up, we’ve got a long journey, I know I heard your alarm.”

       A hem? On my thighs? Worse, I feel a dull ache, my stomach roils over itself, and an unusually urgent sense that I need to be a bathroom now asserts itself. “Uh…” Not my voice, but definitely my syllable. I said that, I thought it and I said it. It is imbues with my confusion, my hesitation. So not a dream, not a nightmare. At least, not like that.

       “Just- Bathroom’s free, get yourself dressed and I’ll see you downstairs for breakfast. Okay?”

       Not my bed. Not my sheets. Not my room. Not my hair falls across not my face as I sit up on not my mattress and look around. Small box room, light pink colour motif, thin curtains, a white desk by a chimney breast, a white painted wooden door behind which the voice’s owner clearly waits. “Breakfast, yeah.” Not my voice carries my words: repetition working. I hear someone walk away from the door. I’m dressed in a light coloured fabr- no. My eyes take in the body I see. So, bear with me, this is a cliché that even I know is a tawdry one and I like a good cliché. This is not a good cliché.

       I stand, there’s a mirror on the back of the door obscured by a hanging white dressing gown. White is a bad colour for a dressing gown, I can practically hear my mother saying in my mind, it picks up all the dirt and grime. “It would need washing far too often,” she said, and I had to yield to that logic. I didn’t want to be cold between washes. But this one is clean and almost shining in the morning sun. I take it from the hook, push my arms through the relevant holes and tie it at the waist, which is too high, to face the mirror properly.

       Looking back is a girl. She’s shorter than I am expecting against the door and I am remarkably bad at estimation of measurements. I guess five foot tall. She has brown hair, mostly straight with evidence of having been tied back I suppose, that falls past her shoulders. Beneath the white dressing gown, a little too big for her frame, she’s wearing a nightgown in green with small pink printed flowers in little clusters in a repeating pattern. She’s got a fringe over her forehead and her hands are playing nervously with one another at her waist. Barefoot, I can see some slippers by the bed behind her, and with a pained expression. Maybe she feels the same warning cramp I do.

       She moves her head when I look around, her brown eyes matching where I’m looking as they dart. She raises her hand to her face when I do and, yes, that’s what I mean about it being a bad cliché. It is clear that she is me and I am her. And that cramping. For the avoidance of doubt this is not what I expected to see in the mirror because it’s not what I look like in a mirror. I mean, okay, it is now but it’s not… whatever. I have a choice: dwell on all the myriad sensations (I have a decent vocabulary, I’ve read a lot of books) or deal with the immediacies. I choose the latter.

       Stepping back, the girl dons the slippers; one hand holds her stomach as it cramps again, the other reaches for the door. She seems the same age as me, maybe younger? It’s hard to tell and there are no context clues leaping out from the wall and no time to look more closely. The carpet is soft and thick pile, easily better quality than the one at home, and the slippers feel barely used. Certainly they don’t have the worn moulding to the girl’s feet that comes from extended wear. And, okay, I’m describing my thoughts so I’ll stop pussy-footing around: I really need the toilet. As she walks out onto the landing it occurs that I have no idea where that is. But the landing is small. A room off to the right, a second door almost immediately afterward and, then, almost immediately opposite and with the stairs to the left, a final door. This is white, like all the rest (the walls are a soft yellow), but looks older and less detailed – a bathroom door if ever I saw one.

       Pushing through, it is the bathroom and I feel immense relief, I spin round and pull the dressing gown out of the way to sit as I lift the seat cover with my other hand. Oh, the night gown isn’t trousers, I can’t pull it down. I hitch it out of the way, it’s not thought-through, I’m in a hurry, and I let the bladder do its thing. I don’t quite know what I am expecting, but the feeling is not it. I mean, sure, it feels good to let a full bladder empty, but there’s something else there as well. Now, I paid attention in my sex education lessons in Science back in Year 7, so I have some inkling that certain things happen as well as a list of possible symptoms. Not that I ever expected to feel them, in this case quite literally, in the flesh but here I am and so, huh. I get it. It hurts. And the feeling, well, down there, is like nothing I have ever known. I simply don’t know how to put it into words, because I have no point of reference. Oh, I think, great.

       So, to recap: I appear to have woken up in not my body in not my house living not my life and that body is having a period. Great, just peachy. Again, I paid attention. I’m not that kind of 13 year old and I like to think of myself as practical: pads or the other one. The one that goes in. My mother uses the latter and she stores them in her bedroom, I know because she’s had me go fetch them for her once or twice in the past. Little plastic wrapped bullet things, impossibly small, with the same sort of opening that her cigarette packets have where you grab the red bit and pull. Behind me is the boiler, there’s a bath by the wall to my left, opposite the door, and a frosted window there. A shower and some tiling fills the bit where the boiler cupboard is by the side of the bath, and there’s a sink opposite me with a medicine cabinet above it, small mirrored door, standard issue.

       My business completes, but that other feeling remains and there’s another cramp. The hissing noise I make through the teeth and mouth is louder than I intend and sounds almost self-pitying. Maybe this girl is the same? I don’t know, I don’t recall ever noticing girls being self-pitying. Hey, I do my best to pay attention and I’m hard pushed to recall a time any girl I know has been obviously on a period. Like, I assume they talk to one another about it, but no one talks to me.

       I check, it feels really odd, but a quick wipe (again, I pay attention, I know which way you go to avoid infection) seems to work for now. The noise of the toilet flush mercifully covers me rifling through the cabinet over the sink, that girl’s face is flushed now and I’m certain I can detect an air of panic from the redness in her cheeks and the ways her eyes are moving. I don’t find any plastic wrapped white bullets, for which I’m grateful in one sense, and I retreat back to the room I started off in. Under the window there’s some shelves, mainly books and a couple of teddies; by the desk there’s a wardrobe in pink and white wood, above the bed there’s some shelves with doors on them like cupboards but clearly a DIY job.

       Where would a girl keep things? She seems to have a room that is far too tidy for my tastes, it’s not right that the floor is clear, that the desk seems unused, that the tape racks are tidy or the books look neatly placed. On the plus side, she’s not a barbarian, none of the spines have been abused but I think she’s maybe taken refinement too far. The wardrobe seems curiously uncluttered, very few clothes on the left side with the coat rack and the shelves on the right seem strangely empty. Midway down, in a small drawer, I find what I’m looking for. I think. Cardboard box, already opened, white folded things inside. There’s a bit with backing paper and a bit without. I can work it out, and I already found underwear. It’s over mercifully quickly. It does nothing to deal with that very odd feeling but it does seem to deal with the immediate problem of making sure this body isn’t leaking fluids everywhere. A sudden thought and I check beneath the duvet – there’s a pair of knickers there with a pad inside, scrunched up and near the wall. Ah, I think I see now, well, at least there’s no laundry just… clearing this up. And I am going to describe that in no further detail. In fact, forgive me, but I’m going to skip ahead to breakfast!

Sunday, 15 January 2023

Internally Observing

This was an experiment in writing without the usual recourses to visual effects or using language that I deemed too 'telling'. It was an attempt to relay only an experience, but my wont is always to write in third person so... huh. That said, the plan was to use as few pronounsd as possible - it's surprisingly hard to avoid them! Well, anyway, it's some words. See what you make of them!

I'm not going to offer the usual analysis, not because I don't think it interesting, but because I appear to be posting daily and I suspect too much of that is off-putting! Also, this was experimental and designed purely to keep me writing so I'm not as interested. That said, I am posting it here in case anyone reads any of these posts (I can't believe that, after eight years since officially abandoning this place, anyone actually checks here at all!) and is interested.

We shall see. Maybe if I update enough I shall get visitors to the garden again, and wouldn't that be nice?

Saturday, 14 January 2023

Spirits of the Hunt

After being assaulted by the ceremony and meeting Seer of the End I continued to have it intrude on my thoughts. They were telling me that I had missed something. An almost shapeless and formless vision of a deer spirit entering the circle and some ritualistic hunt was missing from the story. Furthermore, they had things to say, a few names were incorrect, and I realised that they would have at least two different words for blood: the blood of life and death would be different than that which could be brought out by violence from an arm. Human blood of such type would be different to that which was carried by animals and sometimes drunk. So maybe even three words.

Right now, I only have the two. One based on proto-Indo-European, as discussed last time, and the other on Old English. I have chosen to render this not as Blot or Blod but as blwd - because I do like the Celtic 'w' sound.

Anyway, that's what seized me today. Analysis as always provided by 750words.com because I like the idea that one can learn more things through statistics.

Rating: PG-13 (violence and sexual-content) - I mean, I guess so.

Feeling mostly upset, and concerned mostly about death - okay, actually, maybe it is.

Mindset: Extrovert - Negative - Certain - Feeling

Time: The Past; Primary Sense: Sight (ack); Us and Them: Us


32 minutes at 40 words per minute

Friday, 13 January 2023

High in the Mountains

Moon Dancer came to visit me this time, and had some things to say I don't think I consciously saw coming. But, honestly, it makes sense if you read the previous sections where I wrote of the coming of age and even the NSFW scene. Shadow of the Stag returned too, but he was much older and more tired than I remembered him. He's got some stories to tell, Moon Dancer's, I feel, are still to come. Perhaps Seer of the End has something to pass on to help that along, perhaps not. There was a moment in writing her coming of age sequence where I thought that maybe Moon Dancer or the Medicine Man would play a role. They still might, but they did not belong in that moment.

I seem to be gripped by an ideas sleet at the moment, and the time to indulge it, so I am not complaining nor standing in the way of it.

Analysis once again provided by the reliable 750words.com

Rating: PG (sexual-content[? I don't see this at all])

Feeling mostly self-expressive, and concerned mostly about religion - huh, I guess so!

Mindset: Introvert - Positive - Uncertain - Thinking

Time: The Past; Primary Sense: Touch; Us and Them: Them

26 minutes at 43 words per minute

Thursday, 12 January 2023

The Stan Too'er

Hmm, now that this place is running again, I guess I should tend to the beds a little.

I've long wanted to write something set in the Borders of England and Scotland at the time of the Reivers. Or, rather, a fictionalised version of that setting. Reading Gifts by Ursula le Guin recently, I was struck by how much her setting there mirrored my feelings about the Reivers. And how much of the story revolved around very human things. I loved it. It sparked my memories and made me want to write again.

Whilst trying to do a write-in, it's been since 2016 so I struggled, with a dear friend and proper writer (seriously, her novel carries so much power and journey just her telling me about it makes my head want to burst with the power of it) I ended up having an idea sleet and this was what popped forth - based loosely on an old exhibition in Carlisle's Tullie House on the Reivers, now long gone and forgotten. And, as ever, I barely stayed on the course I set for myself.

Once again, I use the amazing 750words.com to get some attempts at insight, they may help you decide whether or not to read on, I don't know.

Rating: PG (violence[?])

Feeling mostly anxious, and concerned mostly about family - this is nice, sort of what I was shooting for


Mindset: Extrovert - Negative - Certain - Feeling

Time: The Past; Primary Sense: Touch; Us and Them: Them

24 minutes at 44 words per minute

Wednesday, 11 January 2023

Seeing the End

Oh, well, here I am again. It's been a while. Today I was assaulted by my Prehistoric setting. You may recall, you may not, it was many years ago now, that I was unconvinced by the naming of the women characters in my story. Moon Dancer and Shadow of the Stag made sense to me, their names and the reasons for their names came easily. The coming of age for Moon Dancer natural and flowing as though it arrived in a dream and, very probably, it did. But the rest? The tribe were not real to me despite my best efforts, I brought them forth with effort as though passing something uncomfortable. I wanted to do right, I could manage the NSFW section - that came fully-formed one evening - but the important parts? No.

One of the aspects of this, it's always been there, is dissatisfaction with using English for the setting - it doesn't feel right. I am doing my best to restrict vocabulary, to carry that Prehistoric feeling and not diminish meaning, rather to force the reader to see the connections between things that the society I write about does in their language. I also very deliberately looked into Urdu for some of the words: mother, sister. Proto-Indo-European for blood. Variations for aunties (something missing in my first run through of attempting this side of things here).

Over the last few days I found myself dwelling on the coming of age for girls, the point at which everything shifts in perspective and the biology of that. And I thought about how our society forces fear and shame into proceedings, how that is reinforced in so many areas of the Patriarchy and also on the research that shows that the first calendars were created by and for women. The primacy of that power, for power it is, and the fear it evokes in the men. What if men were not in charge as they are not in my Prehistoric setting and, instead, a community of women devised ways of coming to terms with things?

My desire to turn this into more than a setting, to conjure forth a plot, remains however and so the scene is bent to the will of the direction. One thing is clear though, I have a better naming system, one that feels much more natural and realistic. One in which the fear of the Patriarchy may have sprung from, for men can destroy but only women can dabble in the forces of creation and death as easily as preparing food or hunting prey or gathering shelter.

Analysis once again provided by 750words.com that, if you haven't already, you should sign up for.

Rating: PG-13 (violence and sexual-content[?])

Feeling mostly upset, and concerned mostly about death - well, I'd quibble that, but I can see how it comes from the text, see what you think.

Mindset: Extrovert - Negative - Certain - Thinking

Time: The Past; Primary Sense: Touch; Us and Them: You - interesting!

46 minutes at 40 words per minute

Friday, 24 April 2015

Pet Shop Boys

I have been reviewing my writing and my ability to actually write. The more I look the more I realise that maybe I'm not really cut out for proper writing, you know, the sort of thing that will actually ever be published or even be read by other people. There's a couple of reasons for this:

1. I never seem to finish anything, first draft or otherwise, and so I have built up an expectation among anyone that ever reads my work that it will never be completed, so no one reads it.

2. I'm not a terribly good writer. My characters are wooden, my descriptions are too damnably long and my writing generally soulless. This leads to no one really reading what I write, augmenting point 1.

However, and this is the thing, I do still want to write. Because, it appears, I am a masochist. To that end, listening to albums from my youth like Please and Actually by the Pet Shop Boys reminds me that I once constructed flimsy narratives based on the order of the songs. In the former, there's a story about crime and love and betrayal in 1980s London and in the latter there's a sequel about revolution, terrorism and failure. In short, all albums, by anyone, suggest stories to me because that's the way my mind works. A basic laziness and inability is all that stands in my way of turning these into functioning narratives that could be actual stories.

Perhaps one day I shall return to writing but it has been over a year now since I did anything approaching fiction writing and this place has grown fallow once more. I shall do what I can to tend the beds here, maybe check on a few seedlings or just plant a few more. If anything flowers that would be nice but, more likely, I shall potter about, turn some soil and then get distracted by bigger and shinier things.